PaintingsWorks on PaperResumeStatementExhibits/ReviewsHome



Rose Olson
Boston, MA; 978-927-3049
rose@roseolson.com

CURRENT EXHIBITS


Artists Explore SERIES
Group Exhibition curted by Barbara Moody

June 28-August 12, 2018
Opening Reception: Friday, June 29, 2018, 6-8pm

The Cultural Center at Rocky Neck
6 Wonson Street Gloucester, MA 01930
rockyneckartcolony.org
978-515-7004

Hours Thursday-Sunday, 12-6pm


COOL SUMMER

July 13-August 1, 2018
Opening Reception
: Friday, July 13, 2018, 7-9pm
Work will be on display all summer & featured during July 13-August 1

Hutson Gallery
432 Commercial Street Provincetown, MA 02657
www.hutsongallery.net
508-487-0915

Hours July & August: Daily 11am-5pm and Fri & Sat 7-9 pm
September: Daily 11am-5pm through September 24
September 30-October 8: Sat & Sun 11am- 5pm

Rose Olson, Cool Band

Cool Band, acrylic on wood, 10 x 10 inches, 2016.


SELECTED CRITICAL OVERVIEW

“Straightforward and delicate, Olson’s paintings suggest what thirteenth-century-painter Cimabue might have done had he been a color-field painter”
— David Raymond, Art New England, December/January 2007

"Another Boston painter, Rose Olson, has a quietly stunning show at Kingston Gallery...Olson has aptly used the minimalist form of stripe paintings to contain the mysteries of heat and cold, light and dark."
— Cate McQuaid, The Boston Globe, Friday, May 14, 2004




"...these imges assert themselves as objects. That they possess a meticulous glaze only reaffirms their presence. Despite the seeming regularity of her orderly compositions, Olson does not close out experimentation, flexibility or gesture...One thinks of prisms when looking at Olson's work. There's a crystalline fracturing of color into constituent bands, and almost a gilding to many of her surfaces...That gilding serves the traditional purpose of claiming space for the sacred, though within Olson's modernist idiom that sipirtuality becomes universal rather than denominational."
— Shawn Hill, artsMEDIA, May 2004



"Rose Olson's paintings temper mathematical precision with a sensual play of light and color...Her palette deliberately recalls glistening shades of nail polish, yet is handled with great restraint. The game seems to be in maintaining a meditative space with exuberant bursts of color...The effect is mesmerizing, the colored surface transmuting as one moves back and forth in front of the work."
— Diana Gaston, Art New England, June/July 2003




"Looking more closely, the complexity and richness given to these stripes of color by Olson's thinly applied horizontal and vertical layers of paint reveal that within these stripes she has in fact delineated a deep emotional and meditative space."
— Mary Bucci McCoy, Art New England, April/May 2003